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A big-hearted, well-acted, unpretentious examination of family life in hard times based on Jeannete Walls' memoir. Salma Hayek is a vicious delight and the movie has action and laughs enough jokes to entertain throughout. I may have unfairly expected Good Time to adhere to the shaky-camera, "look how shocking" school of indie cinema — such is certainly not the case. The Safdies maintain assiduous control over their camera (they also have a hand in the sound design and editing), creating a continuous and compelling aesthetic, while also leaving room for the cast — A-list veterans and non-actors alike — to thrive onscreen. Shortly thereafter, the brothers rob a bank, a project that not unexpectedly blows up in their faces.

It doesn't try too hard with camera moves or bold edits, rather using the camera to simply advance the story, albeit in a handsome, considered way. In a pointed gesture, the Bureau dispatches a single field agent, Jane Banner (Elizabeth Olsen), based in Las Vegas, who happens to be attending training nearby. She arrives unprepared for the weather, unfamiliar with Wyoming, let alone the reservation, and perhaps underequipped to conduct a murder investigation. And when violence inevitably erupts, Sheridan handles it skillfully and without embellishment, grounding it in the realism and desolation of its setting. GOOD TIME also has within it themes of loss and lack of agency, and moments of great violence and sadness, but could hardly be more different from Wind River. Aubrey Plaza stars as an unstable woman who becomes obsessed with an Instagram star and worms her way into the woman's life and social circle. The cast is uniformly excellent, with Renner in particular reinforcing his ability to conjure loss with a look. Directed by Josh and Benny Safdie from a screenplay by Ronald Bronstein and Josh Safdie, it wastes no time getting down to street level in contemporary New York City, and has the audience spend a tense, antic, seemingly never-ending night there.

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